Sometimes it feels as if what I have drawn in perspective almost is in parallel projection, which sometimes have me aiming at getting more distortion the time after that. This makes things look larger, but it also increases the risk of having to start over as things end up not fitting in the space I’m working with. With these untextured surfaces it can also be hard to see that the distortion is correct, like the top surface which becomes a very narrow shape, this is one of the reasons why I added a background grid, it’s there to convey the perspective.
Columns
2015-02-28
Linework | Fillwork
The three columns turn ninety degrees from top to bottom, this while being perfectly straight.
Lý Minh Phúc on 
Lisa on 
Grant on 
